Pancham still dominates Ad-World for jingles....

here's a nice feature published in Glamsham....

Pancham dominates even through the world of Advertisements
October 30, 2010 06:50:15 PM ISTEnkayaar, Glamsham Editorial

Two jingles currently doing the round of advertisements based on Pancham aka R D Burman's songs of the era when he really was the fusion king, 'Saamne Ye Kaun Aaya Dil mein hui halchal', where a husband has the confidence to serenade her wife, after marriage, the catalyst being the peppy music of Pancham.

In the same manner, the advertisement of a Scooty, 'Jaane Do na', where a constable allows a girl to break through the security cordon and run away, with Pancham's music rising to a crescendo in the background, underlines the ability of his songs to create the environment for branding the product.

As a matter of fact the current crops of advertisements being aired have now shifted their background from choosing the songs of sixties to the songs which were trademark of Pancham, underlining the importance of his music among the youth of the present times.

Who can forget the evergreen Pancham number 'Hum Jab Honge Saath Saal Ke', now set against the back drop of the cascading promenade of Marine Drive in Mumbai, interestingly, shot in Black and White underlining the importance of old romantic songs to accentuate the continuity of romance even in old times. It is also a telling comment about the songs being made in the present times, which do not form a part of any advertisement jingle as the old songs, more so that composed by Pancham. ..........

you could read the full feature here http://www.glamsham.com/movies/features/10/oct/30-pancham-dominates-even-through-the-world-of-advertisements-101017.asp

Pancham's Generosity: Bypass Surgery Story

Dr. Mukesh Hariawala, who performed Bypass Surgery on Pancham-da in late 80s shared his memory....

Sharique: Tell us about the humble episode following surgery on Indian music maestro R D Burman? Did it have any impact on you?

Dr Hariawala: Following Bypass Surgery at the Princess Grace Hospital , “Panchamda” as R D Burman is affectionately called invited me over for dinner and gifted a box of his personal collection of music CDs, which was a new technology in the early 1990s . I returned it embarrassingly confessing that I only owned a Cassette player.

Next day, he redelivered the same box of CDs to me accompanied with a new CD player. This gesture has had a significant impact on my fundamental belief in “Generosity“ and what it means to have a "Large Heart for Others" in this material world.

Book Review: The History of Indian Film Music

Book Review: The History of Indian Film Music

By Joginder Tuteja, January 27, 2010

Brilliant. In one word that's the best way to describe 'The History of Indian Film Music' which indeed is a chronicle at it's best. The book takes a reader through a musical journey right from the 30s till the end of 2009 and brilliantly captures all the relevant details that would satiate the appetite of a music lover.

Did I just say 'relevant'? That's right. And this is where the essence of this compact 130 odd pages book lies. Putting together a book which is required to capture the musical journey of 80 years gone by is certainly not joke. In fact it could easily put the author in a dilemma around what to take or leave. Should there be all the details captured and hence make the effort come close to being an encyclopaedia? Or should there be certain highlights and lowlights captured in plain text and presented to the audience? Choosing any of the two options is perhaps an easy task and though the time taken in completing any of the two jobs can well be expected to be similar, the difference lies in what an average reader would like to know. What's difficult though is to take the middle path where the presented material is neither so elaborate that it ends up being a text book by itself and hence alienate itself from a majority of music lovers, nor should it be so compact and limited that a reader ends up with a feeling of emptiness.

This is why the effort of author Rajiv Vijaykar need to be lauded because he not just dares to take the middle route but also come up with the kind of results that would make one nod in appreciation. He does something that would have sounded impossible to begin with i.e. fit in all in those 130 pages and come up with such an interesting write up that would make 'The History of Indian Film Music' a collector's delight. What's better is that he comes up with such an interesting presentation of the music from the years gone by that you end up greedy while turning every page and wish to go ahead and complete the book without any break. Truly, this is one of the best efforts that one has seen from a writer who has dared to fetch a big piece of history through his research.

It is this research that makes you admire the material that one gets to explore in 'The History of Indian Film Music'. There is a lot to pick and choose from and Rajiv plays it all smartly by dividing the different phases and trends gone by through his 'decade' approach. So what one gets to read are chapters that go as '1930 - 39: The Birth of Film Music' till way up to '2000 - 2009: Low Tide'. All through these chapters, he seldom takes sides or allows his own love for music cause an interruption or any unnecessary bias. Instead, he states facts as they were and adds exact details (where available) around time, place and people.

As a reader, one's interest area may differ from chapter to chapter.For a historian, the chapters from the earlier decades may be of more interest value since he may either wish to test the author's knowledge or his own. Also, from sheer nostalgia perspective, it's fun to go through the times when Hindi film music was still at its infancy stage and trends were being created rather been followed. For the younger generation though, while anecdotes around the music from the New Millennium may sounds a little familiar, the middle portion of the book is bound to make for an interesting read since 60s and 70s are widely regarded as the golden period of Hindi film music.

However, Rajiv doesn't just limit his research to highlighting the best parts of the musical era gone by in terms of composers, lyricists or singers who made their mark. He even brings to fore the changing trends and also presents the 'reason' and the 'cause' theory for that.

Not just that, he also elaborates on the change in technology that facilitated the emerging and brings in elements like piracy, video boom, remixes, cover versions, re-dubbing etc. which in their own ways defined the music in a particular time period. Pretty much in synch with the times, he also highlights the part around mobile ring-tones being a great decider of the Hindi film songs in the current times which pretty much signifies the way music has come a long way over the decades.

Expectedly, there are elements other than core music which also find a well deserved place in the book. Relationship between people associated with the creative field has always held an utmost importance in the Hindi film industry and that element is also brought to fore as one flips over pages. For time immemorial, partnerships have been formed between composers, lyricists, singers and of course film makers and quite some detailing is done in the book around the coming together and falling apart of relationships. Though this was always the case and would be there for decades to come, interestingly it has been observed that this was more prevalent in the 50s, 60s and the 70s when friendship and closeness was in line with creativity.

This is why names like Shankar Jaikishan, Raj Kapoor, Lata Mangeshkar, Naushad, Kishore Kumar, Lakshmikant Pyaarelal, Mohd. Rafi and of course R.D. Burman find much more mention that many of their other contemporaries.

While the write-ups are interesting enough to entice reader into checking out what's next to follow, the highlight of the book is the 'Did You Know' section that concludes every chapter. Interesting trivia is shared with the reader which mostly stays true to it's 'did you know' headline as majority of it turns out to be a real surprise and unheard of. A lot of it could have been shared here in this review but it would be worth to check out the book by itself to relish its true flavour. In addition, there is a summary added to each of the chapters as well where many of the highlight compositions, films and artists find a worthy mention.

There have been quite a few books written in the past about the route taken by Bollywood over the years gone by, both from the film and the music perspective. While some have been interesting, many have turned out to be really boring due to their text book flavour. However, for those who are really looking for a reference guide when in search for quick and compact 'relevant' information, this is the one to reach out for. Don't miss it. And yes, store it. If you are a true Hindi film music lover, it may just come in handy some day.

Price: Rs. 350/=

Book Review: The History of Indian Film Music

Book Review: The History of Indian Film Music

By Joginder Tuteja, January 27, 2010

Brilliant. In one word that's the best way to describe 'The History of Indian Film Music' which indeed is a chronicle at it's best. The book takes a reader through a musical journey right from the 30s till the end of 2009 and brilliantly captures all the relevant details that would satiate the appetite of a music lover.

Did I just say 'relevant'? That's right. And this is where the essence of this compact 130 odd pages book lies. Putting together a book which is required to capture the musical journey of 80 years gone by is certainly not joke. In fact it could easily put the author in a dilemma around what to take or leave. Should there be all the details captured and hence make the effort come close to being an encyclopaedia? Or should there be certain highlights and lowlights captured in plain text and presented to the audience? Choosing any of the two options is perhaps an easy task and though the time taken in completing any of the two jobs can well be expected to be similar, the difference lies in what an average reader would like to know. What's difficult though is to take the middle path where the presented material is neither so elaborate that it ends up being a text book by itself and hence alienate itself from a majority of music lovers, nor should it be so compact and limited that a reader ends up with a feeling of emptiness.

This is why the effort of author Rajiv Vijaykar need to be lauded because he not just dares to take the middle route but also come up with the kind of results that would make one nod in appreciation. He does something that would have sounded impossible to begin with i.e. fit in all in those 130 pages and come up with such an interesting write up that would make 'The History of Indian Film Music' a collector's delight. What's better is that he comes up with such an interesting presentation of the music from the years gone by that you end up greedy while turning every page and wish to go ahead and complete the book without any break. Truly, this is one of the best efforts that one has seen from a writer who has dared to fetch a big piece of history through his research.

It is this research that makes you admire the material that one gets to explore in 'The History of Indian Film Music'. There is a lot to pick and choose from and Rajiv plays it all smartly by dividing the different phases and trends gone by through his 'decade' approach. So what one gets to read are chapters that go as '1930 - 39: The Birth of Film Music' till way up to '2000 - 2009: Low Tide'. All through these chapters, he seldom takes sides or allows his own love for music cause an interruption or any unnecessary bias. Instead, he states facts as they were and adds exact details (where available) around time, place and people.

As a reader, one's interest area may differ from chapter to chapter.For a historian, the chapters from the earlier decades may be of more interest value since he may either wish to test the author's knowledge or his own. Also, from sheer nostalgia perspective, it's fun to go through the times when Hindi film music was still at its infancy stage and trends were being created rather been followed. For the younger generation though, while anecdotes around the music from the New Millennium may sounds a little familiar, the middle portion of the book is bound to make for an interesting read since 60s and 70s are widely regarded as the golden period of Hindi film music.

However, Rajiv doesn't just limit his research to highlighting the best parts of the musical era gone by in terms of composers, lyricists or singers who made their mark. He even brings to fore the changing trends and also presents the 'reason' and the 'cause' theory for that.

Not just that, he also elaborates on the change in technology that facilitated the emerging and brings in elements like piracy, video boom, remixes, cover versions, re-dubbing etc. which in their own ways defined the music in a particular time period. Pretty much in synch with the times, he also highlights the part around mobile ring-tones being a great decider of the Hindi film songs in the current times which pretty much signifies the way music has come a long way over the decades.

Expectedly, there are elements other than core music which also find a well deserved place in the book. Relationship between people associated with the creative field has always held an utmost importance in the Hindi film industry and that element is also brought to fore as one flips over pages. For time immemorial, partnerships have been formed between composers, lyricists, singers and of course film makers and quite some detailing is done in the book around the coming together and falling apart of relationships. Though this was always the case and would be there for decades to come, interestingly it has been observed that this was more prevalent in the 50s, 60s and the 70s when friendship and closeness was in line with creativity.

This is why names like Shankar Jaikishan, Raj Kapoor, Lata Mangeshkar, Naushad, Kishore Kumar, Lakshmikant Pyaarelal, Mohd. Rafi and of course R.D. Burman find much more mention that many of their other contemporaries.

While the write-ups are interesting enough to entice reader into checking out what's next to follow, the highlight of the book is the 'Did You Know' section that concludes every chapter. Interesting trivia is shared with the reader which mostly stays true to it's 'did you know' headline as majority of it turns out to be a real surprise and unheard of. A lot of it could have been shared here in this review but it would be worth to check out the book by itself to relish its true flavour. In addition, there is a summary added to each of the chapters as well where many of the highlight compositions, films and artists find a worthy mention.

There have been quite a few books written in the past about the route taken by Bollywood over the years gone by, both from the film and the music perspective. While some have been interesting, many have turned out to be really boring due to their text book flavour. However, for those who are really looking for a reference guide when in search for quick and compact 'relevant' information, this is the one to reach out for. Don't miss it. And yes, store it. If you are a true Hindi film music lover, it may just come in handy some day.

Price: Rs. 350/=

Book and DVD Review: Pancham Unmixed

Book and DVD Review: Pancham Unmixed

By Joginder Tuteja, December 30, 2009 - 14:29 IST

Now this is one Collectors Edition that deserved to be much better marketed, promoted and released. When an effort like 'Pancham Unmixed' arrives on stands unannounced, it is not just a letdown for the man (Brahmanand S Singh) who has made an effort to put it all together but also the subject himself, the legendary R.D. Burman a.k.a. Pancham, on whose life it is based.

This collection is a delight, as evidenced in this brilliantly packaged affair that comprises of a coffee table book (Pancham - Strings of Eternity), a DVD (Pancham Unmixed) which is basically a two hour feature length film made on his life and an additional DVD (Pancham Magic) which comprises of 30 original videos of some of the best tracks created by Pancham.

This is why the release of a DVD and a book on his life makes for an important event. And yes, Brahmanand actually makes it authentic enough by reaching out to people who were closest to the man who, needless to say, redefined the entire manner in which music was looked at in Bollywood flicks. Dozens of people are interviewed and quite a few anecdotes are shared as people like Asha Bhonsle, Gulzar, Shammi Kapoor, Vidhu Vinod Chopra, Manna Dey, Pt. Ronu Majumdar and many others (including a bunch of fans, musicians, arrangers etc.) come together the describe the phenomenon called Pancham.

The film DVD is an engaging affair. The tone is set in the very first 5 minutes itself with Asha Bhonsle and others describing the man he was, both from professional and personal standpoint. In fact one has to give it to Brahmanand here as he intelligently brings in quotes from different people and comes up with a seamless feature that is alternatively emotional and entertaining. What works most in this feature is the way Pancham songs are interspersed as a part of the narrative. Most of the times it is in direct relevance to what it is being spoken by Pancham's friends and professional acquaintances and the placement of songs only enhance the overall effect.

The film is also special because it is not just about the music that we all have been hearing for over three decades now. There are finer points around his composition style explained as well that would certainly make the students of music a lot more interested. Musicians who have worked closely with him during his decades of music making share their experiences from the recordings and describe what transpired within the walls of a studio. In course of such happenings, it may have been possible that the talks become a little too technical for the taste of 'aam junta' but the director ensures that he mixes it up all well to make it a seamless exercise that doesn't get talk heavy.

The coffee table book is a good read as well, especially after one has watched the DVD. In fact the book and the DVD compliment each other as they come up with different factoids though the people interviewed are the same. The layout is well done too which gives a classy feel to the entire product. Comprising of dozens of quotes from people close to Pancham, the book brings to fore a lot about his personal life with friends recollecting his naughty antics that were a part of his personality right from his younger days till the time he was actively composing. Of course, as the world is aware, he was quite sad during his last days, especially due to the state of music Bollywood had found for itself (from the mid-80s to the mid-90s). Pancham too was pretty much down and out before some fabulous tunes for Vidhu Vinod Chopra's Parinda followed by 1942 A Love Story revived him to an extent. It was a pity though that he never lived to see either the success of his music nor the hundreds of remixes that continue to sell on his name till date.

Majority of biographies are known for falling pray to being too talk heavy and also being primarily descriptive around the subject's life journey, while being presented in a chronological order. However, to the credit of Brahmanand, he doesn't fall into this trap. He steers clear of making his book seem like a chapter by chapter account of how R.D. Burman emerged from the shadows of his father (S.D. Burman) and turned into Pancham as we know him today. Instead, he just picks up certain episodes of his life and brings them (in no particular order) in front of audiences to give them a good enough insight of what the man actually was.

Any blemishes? Yes, there is one for sure. It is obvious that Brahmanand, along with dozens of other people who have spoken for the DVD and the book, have been followers and fans of Pancham. Due to this, all one gets to hear and read is the good work that the man did in his entire lifetime. However, the fact remains (as detailed in the filmography of Pancham) that he had made music for 300 odd movies and not all are known to the general audiences. Even he must have had his off days with an uninspired piece of work, as obvious from the fact that there are dozens of films (Kaun? Kaise?, Shubh Kaamna, Rusvai, Bada Kabutar, Doosri Sita etc.) That one has never even heard about. A brief take on such work would have lent further weight to 'Pancham Unmixed' which eventually comes across as a tribute more than a complete take on the man. Also, 30 songs which appear in the DVD are good ('Jaan-E-Jaan', 'Pyaar Mein Dil Pe Maar De Goli', 'O Maanjhi Re', 'Do Lafzon Ki Hai' and many more) but again only from those films for which the DVD company (Shemaroo) holds rights. An extra effort to procure songs from other companies would have taken this compilation to the next level.

Nevertheless, leaving such blemishes aside, the fact is that it isn't everyday when a compilation like this is made available to audiences and hence it is pretty much a surprise when it arrives sans any fanfare. Now that's a disappointment because just a few weeks back, there was this entire global phenomenon over 'This Is It', the film released on Michael Jackson. While the movie went on to earn millions for itself from its theatrical release (and also saw some decent moolah coming from India), it is certainly sad when a movie around country's own icon doesn't even get a proper release.

Price: Rs. 999/=

Rating: